When I think of being on the edge, I see a penny at the front of a coin pusher. Methodical movement back and forth, seemingly waiting for something else to tip the balance.
A mechanical tide moving metal like the cars I try to ignore, as I walk along the seafront to an art exhibition of invisible narratives. The sea on the left and town on the right.
There are waves projected onto a book of empty pages, on a desk with two radios. Each, broadcasting one voice. A monologue on the lack of dialogue in place, space and time, of what’s natural and what’s man-made. An installation.
Each, ignorant of the other, voicing over and over each other. A backing track of urban instruments. A constant throwaway into breaking waves. It feels like chaos.
The penny drops.
I walk back on edge.
There are no sides
Photo by Ameen Fahmy on Unsplash